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PROTESTER WATCH
Signs and humor at the Republican convention

By Sam Weisberg | RAW STORY COLUMNIST

August 29—It was a blistering hot Sunday at the peak of New York City's notorious dog days of summer, but that didn't stop a parade of proudly flamboyant pranksters from dressing to the nines in jester outfits, or from draping heat-absorbent American flags over their torsos.

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In the latter case, some were acting crudely ironic and others were stressing that overstated yet still poignant viewpoint that the most “American” practice would truly be to send the troops home.

Yet, costumed or plain-clothed, belligerent or joyous, the bulk of the 500,000 or so participants in yesterday's march against the city's hosting of the Republican National Convention on Wednesday will be remembered mostly for their colorful, sharp-toothed and in many cases hilarious banners.

Despite the expected array of "Bush Lies: Who Dies,” “Act Now Stop War End Racism,” and other such generic slogan posters—no doubt dispensed by the throngs of underground newspaper founders and provocateurs that continue to keep New York City predominantly left-wing—there were subtler, wittier makeshift posters that stood out.

No remotely conservative target was left unskewered—Bush, Cheney and Ashcroft aside, there were plenty of barbs tossed at Fox News, the NYPD and Bush's most reputable foe, John Kerry—and it was clear, for once, that NYC's left are not just the skewed wild-eyed liberals they're depicted as, but a group, like the rest of America's left, with intensely differing agendas.

Many people raised Kerry ’04 signs; others were hardcore Naderites; still others believed that whatever party wins will continue to support the war in Iraq. And there were the dozens of protesters that felt they could have a good time while spreading their message.

The crass creativity was everywhere, from the group of scantily clad femme fatales sporting “The Only Bush I Care About is My Own” t-shirts to the man flashing a life-sized “Blowjobs Good, War Bad” poster. The sexual japery didn’t stop there. You couldn’t walk three paces without coming across a banner like “Between Bush and Dick We Got Fucked” or “When There’s a Bush and a Dick in the White House Everyone Gets Fucked.” OK, so maybe a lot of the posters were on the vulgar side.

But there were also a slew of long-time liberals and folksy types to balance out the barrage of Generation X slacker humor. An elderly woman bore the moving sign, “In all my 84 years I’ve never seen a worse president.” A little up ahead was a man with a poster taped to his back: “I marched against Stalin in ’84, now I march against Bush in ’04.” And all generations of protesters took great pride in both yelling and flaunting catchy rhymes like “The Bush Regime is really shitty, get the RNC out of our city!”

What made the biggest impression, though, were the signs that displayed the many layers of whacky, idiosyncratic humor within the left-wing mindset. At a Republican march against a Democratic convention, you probably wouldn’t see a torn-up piece of cardboard with “Crappy Sign, Crappy President” scrawled on it in messy blue marker. Or, on the back of a typical holier-than-thou lament, an advertisement for the 2004 MTV Movie Awards. Or, perhaps my personal favorite, a sign that reads: “Heterosexual Martial Artist for Kerry.”

Whether sexual or just plain bizarre, signs like these reminded me of the wonderfully different attitudes circling through America’s left. They are not all humorless, impassioned, anti-American crusaders, as they are often depicted. Sure, some are, but look beneath the myriads of those that are merely bitter and self-righteously offended, and there is a powerful veneer of humor, one which doesn’t cheapen a political viewpoint, but sharpens it. In short, it can make an angry protest more unique and therefore superior.


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