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Journalists or liars?
The Barnicle Carnival

By Brennon Slattery
RAW STORY STAFF WRITER

There comes a point in a friendship when honesty comes naturally.

If for 25 years, you held this grip on thousands of people, sincerity would become second nature. All inclination to lie, even a white lie, would be blasphemy. This camraderie, desired by many, had by few, is precisely what Mike Barnicle had at The Boston Globe, and lost.

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Now, years after Barnicle raised a terrible stink for falsifying his down-homey stories for the Globe, he’s back; this time, as a columnist for the Boston Herald. He wasn’t hired as an instrument of ironic self-mockery, as one might expect from the sensationalist rag that aggressively brought him down and shoved his face in the mud. The Herald wishes to revitalize the effect Barnicle once had, to use the man as an extravagant advertisement regardless of the shame he brought upon the journalistic community and Boston as a whole.

It seems ridiculous to parade this crooked fabricator around, even for the sake of newspaper sales. Or perhaps not — for the Herald is a business. The paper specializes in local news and sports coverage, fiercely competing with the Globe for sales. Herald publisher Patrick Purcell has sales in mind, and obviously wishes to cash in on the ignorance and sentimentality of readers, who will, and have, flocked back to Barnicle with substantial enthusiasm.

Barnicle’s downfall from the Globe was highly publicized, and caused numerous organizations to rethink and suspect their own star writers. To this day, teachers use his debacle as what not to do in journalism ethics courses. Yet his popularity never ceased. Since 1998, Barnicle worked steadily in and around the Boston area — as a columnist for the New York Daily News, talk-show host for WTKK-FM and a contributor to MSNBC and “Chronicle” on WCVB-TV. He still cashes in smiley points, but now he’s less a friend than an estranged high-school classmate who crashes on the couch for a couple of days before disappearing again.

Since arriving at the Herald, Barnicle met fierce opposition and sarcastic remarks from the Herald news staffers union on March 9, according to the Globe. (Ironic how the Globe — the paper that originally avoided the topic of Barnicle’s follies, yet possibly was responsible for much of them — now reports on all things Barnicle related; whereas the Herald had the earliest initiative to expose the columnist’s lies, and now is hypocritically tripping on its own heels.) Rebellion from within the ranks naturally made further headlines, and acted as a promotional tool for Barnicle’s comeback.

His all-too-warm welcome creates negative undertones for journalism. Recent strings of plagiarism cases have morphed perpetrators into shame-faced celebrities of the moment. Stephen Glass, faker of more than half of his pieces for The New Republic, went on numerous talk shows before wasting his creativity on “The Fabulist,” a fictional account of his personal downfall. He also had a movie made about his experiences: “Shattered Glass,” starring Hayden Christiansen of “Star Wars” fame. Similarly, former New York Times writer Jayson Blair pumped out a worst-seller, “Burning Down My Master’s House” which sold only 1,400 copies in its first week, according to The Associated Press. He also made many talk-show appearances.

This staging of misdeeds is a direct page out of the reality TV handbook; the more fetid, the better. Both Glass and Blair have blamed their ethical shortcomings on depression, even going so far as to hold their respective publications responsible for failing to recognize the symptoms. Suddenly, they’re victims instead of victimizers, shifting the blame from how false reports misled millions of people to the editors who allowed the reports to happen. Either way, they’re celebrities, and society has rewarded them for being scumbags, even if just for a little while.

Yet Barnicle doesn’t seem to be disappearing like the aforementioned writers, who’ve had their 15 minutes and disappeared; instead, his prizes and popularity have grown. To ensure the Barnicle Carnival does not repeat itself, the industry has adopted stricter measures. New technology has surfaced that can scan billions of digital documents and check for plagiarism, reported CNN.com. The United Nations Security Council uses software such as Glatt Plagiarism Services, MyDropBox and iParadigms. The programs even played a significant role in former USA Today reporter Jack Kelley’s unraveling. Kelley was a Pulitzer Prize nominee.

This technology exists because no one can be trusted any more — not report writers for the government, not reporters for the newspaper. The series of fraud cases have demystified the newspaper’s allure and trashed its once stalwart credibility. The American public is so starved for the affection and camaraderie it once took for granted that it’s willing to believe anything, just as long as that warm feeling returns. Even when Barnicle made racist comments on his radio program, no one asked for a Trent Lott resignation, nor was Barnicle publicly shamed. He denied the charge and the day went on. It’s as if we’ve finally embraced the corruptibility of informational sources. We believe, out of fear of exclusion, whatever hypocritical or nonsensical dog shit thrown our way.

For that I say, “Read on, dear comrades.” We’ll spin lies together and get away with it, even praised for our poor ethics. Sure, we’ll never make honest and decent friendships, but the stories told along the way should keep us at least temporarily sated.

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