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GROUND XERO: LIVE FROM L.A.
An insider's tour of Hollywood Boulevard

By Xanadu Xero
RAW STORY STAFF WRITER

‘I didn’t know what day it was/ Warm like the month of May it was/ I didn’t know what year it was…’

These lyrics from the classic Broadway hit ‘Pal Joey’ lapped my brain, sprung from the panorama before me like Venus from the half shell.

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“Scaramouche!” growled Aap, with vaudevillian flair. “This place is preposterous. Did someone nuke a time machine?”

We were standing on a balcony overlooking the epic courtyard of Hollywood & Highland, alleged spearhead of the Boulevard’s renaissance. This poorly named, fiercely hyped, corpulent new ‘upscale’ development is on the corner of… well, guess.

The courtyard’s style is Egyptian, unless you count the two rearing thirty-foot Hindu elephant-gods, on pedestals that look like the spawn of mushroom and butt plug. Or the black terrazzo ‘carpets’ with Islamic motif. Or the Corinthian accents. Or the Sleeping Beauty turret on one side of a humongo ‘decorative’ wall, there mainly to block (unsuccessfully) a screamin’ seventies airport-worthy hotel.

Your Favorite Stars meander right here en route to the Kodak Theatre for the Academy Awards, so it must be unspeakably glamorous. Yet, if you squint your eyes, the place looks like a Big House, with its cheap plaster railed tiers surrounding the concrete ‘yard.’ Retail/restaurants clog these tiers, but they could be converted easily to cellblocks. It was night and the lights were indeed prison strength.

“Doesn’t anyone value beauty in this God forsaken town?” Aap barked, straining his neck.

Of course not. What an ignorant question. You’ll have to forgive Aap. He is Afrikaans, and after six years in L.A., our local customs still confound him. These foreigners really should assimilate.

Our next stop was the Grauman’s Chinese Theater; connected to H&H by stairs I haven’t seen the likes of since a documentary on dangerous urban public schools. This pains me, because the Grauman’s is totally cool. It was a highlight of my sepia toned childhood.

The Grauman’s, Chinese by way of mescaline, was built with the same wild-terrain-of-the-brain, high genius vibe that seized the minds of those superb old animators, designers and choreographers. It’s a fine place to see a movie, if you, you know, subtract the movie.

As mesmerizing are the dead movie stars’ hand and footprints in the famous court outside. They are absolutely haunted. And very tiny. People were bitty back then.

This struck me earlier when I paid a call to the Frederick’s of Hollywood Celebrity Lingerie Hall of Fame (closed at night). Marilyn Monroe’s bra was no more than a B cup. Damn. There goes that yappy life lesson again: Everything Is Relative.

The Hall of Fame was quite abbreviated, but mighty entertaining. I especially enjoyed Milton Berle’s drag peignoir. I wonder if the voluminous chiffon was designed to hide his fabled foot-long frank.

I once helped Miltie find his car in a hospital garage. I still hate myself for being too lame to ask.

The Hall of Fame is inside the original Frederick’s of Hollywood store. Unlike Victoria’s Secret, Frederick’s don’t put on them airs like they classy. A tranny favorite, its good, clean sleaze all the way. And yes, I did buy myself a little something.

Aap and I took leave of the Grauman’s and sauntered down the ‘Walk of Fame’ to the grand sounding, tourist guide touted ‘Museum Row’. This is where the real Hollywood comes alive.

The ‘Walk of Fame’ is a dirty sidewalk with dingy pink stone stars inlaid with the names of people you’ve never heard of, or dearly wish that you hadn’t.

Junkies enjoy lounging on this famous landmark and the tweakers twitch past them. Schizophrenics greet passersby. Burnt grease from highly casual dining establishments lends a lilt of fragrance to the smoggy air.

“This looks like a ghetto without the charm,” blurt Aap.

Spandex clad hos, professional and amateur, socialize with bikers and Marines on leave. Stores with names like For Play offer t-shirts with slogans such as ‘No Sugar For No Booger.’ Decent, befuddled tourists, who can’t believe they blew a year’s savings for this, tug at one’s heartstrings.

Gay Spiderman and Friar Tuck twirled past me’n’Aap as we reached the Erotic Museum. Their costumes were highly homemade. I flashed back to a memory of my last Hollywood apartment:

I’d had a bad day writing something really stupid for TV. I was past deadline. My soul was scorched; life force leaking. I stuck my head out the window, for nature’s sweet relief…

Instead, right before me, was Jesus Christ in Saran Wrap and a crown of thorns. He was nailed to an invisible cross, which was obviously swaying. I looked at my hands to make sure I was sober, then called the police.

The Erotic Museum is a bust, but for two items. 1.) An uncanny portrait of Richard Simmons made entirely from sex detritus (like condom wrappers and lube jars) that you view from a mirror above. 2.) An ancient Chinese sculpture of a happy old man fucking a goose.

Upon reflection, as a student of life, it was worth the ten bucks for the latter.

We also went to the Wax Museum and the Guinness Book of World Records Museum. Ugh. The Wax Museum might be interesting if you’ve ever wondered what David Hasselhoff would look like if he died in a head-on crash and the embalmer put his face back best he could for the open casket viewing.

Hollywood & Vine, once ‘the most famous intersection in the world’, is now visually dominated by a windowless, mold green and black piercing studio screaming obscenely from a corner.

Our last stop — noted in every guidebook — was 6513. This address was once the beauty shop (before ‘salon’ hit the vernacular) where Marilyn Monroe first bleached her hair blond. I can’t imagine who would give a rat’s ass but for some low I.Q. women and old, wig wearing queens.

Marilyn is weeping in heaven, hell, or, if re-incarnated, Nicaragua, for 6513 is now an ominous looking ‘Notary Public’ with scary men inside.

Earlier, as I drove back from Frederick’s, I decided to cruise through my old neighborhood. Maybe I shouldn’t have moved.

From one vantage point I could see all of these old buildings at once: The gaudy Chinese Nirvana apartments, The Japanese Yamashiro restaurant, the fairy-tale Magic Castle theatre, some sixties’ ‘Space Age’ condos on stilts and jasmine-clad Spanish bungalows. All were built back when people had dreams.

The hard truth is that you can no more recreate the glamour days of Hollywood than you can recreate the Ming Dynasty. Its over.

And, just between us, enough already.

You can read an archive of Xanadu's columns by clicking here.

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