I’m loathe to wander too far into the ever-more-complex discourse around “Django Unchained”, which, unlike “Inglourious Basterds”, is pushing a lot of American buttons because of a general dislike of examining our own ugly history as much as we like to examine Germany’s ugly history. But I do want to…
By Ana Marie Cox, The Guardian
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By Amanda Marcotte
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By Amanda Marcotte
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