Indian police rounded up a group of homeless men Wednesday over the alleged gang-rape of a 51-year-old Danish tourist who lost her way near the main backpacker's area of the capital, officers said. The woman approached the suspects for directions early…
An Indigenous community in Canada has identified nearly 100 "potential" graves at a residential school site, months after the discovery of hundreds of children's remains at former boarding schools rocked the country.
The Williams Lake First Nation (WLFN) community said on Tuesday that a geophysical survey revealed "93 reflections" with characteristics "indicative of potential human burials" at the former St. Joseph's Mission residential school in British Columbia.
Investigators "surveyed approximately 14 hectares of the broader 480-hectare site", which is about 300 kilometers (186 miles) north of Kamloops -- where the remains of 215 children were found in May.
Since May, more than 1,000 anonymous graves have been found near former "Indian residential schools" run by religious groups, shedding light on a dark chapter in Canadian history and its policy of forced assimilation of First Nations people.
Thousands of Indigenous children attended St. Joseph's Mission between 1886 and 1981 when it operated as a residential school run by various religious sects as part of a Canadian government system, according to WLFN, a community of around 800 people.
"There is much more work to do on the St. Joseph's site, and we have every intention of continuing with this work," WLFN Chief Willie Sellars said in a statement.
In early January, Ottawa announced $1.9 million Canadian dollars ($1.5 million) in funding for the investigation at St. Joseph's mission.
"To date, $116.8 million has been committed to support First Nation, Inuit and Metis Survivors, their families and communities and go toward locating and commemorating missing children who attended residential schools," the government said in a statement at the time.
Prime Minister Justin Trudeau said Tuesday that the news of the potential graves "brings a lot of distressing emotions to the surface."
"My heart breaks for the members of the community, and for those whose loved ones never came home."
Numerous investigations into former residential schools are underway across the country, with between 4,000 and 6,000 children believed to be missing, according to authorities.
In total, about 150,000 Indigenous children were enrolled from the late 1800s to the 1990s in 139 of the residential schools across Canada, spending months or years isolated from their families, language and culture.
A truth and reconciliation commission concluded in 2015 the failed government policy amounted to "cultural genocide."
© 2022 AFP
A Syrian neighborhood targeted by regime bombing lies in ruins, with bodies and broken toys poking out of the rubble; tall, grey buildings are reduced to crumbling, empty shells, their walls blown away or pockmarked by the blast.
The scene, captured in devastating detail, has been created by artist Khaled Dawwa, a Syrian exile and prison survivor who now works in France.
In his colossal work entitled "Here is my heart!", Dawwa is still battling oppression, urging viewers "not to forget the revolution by the Syrian people and all their sacrifices".
"When I'm working on this piece in my studio, I'm in Damascus. I do everything I can here, while not being there...," the 36-year-old tells AFP.
Deeply scarred by the years of repressive rule and violent crackdowns and the loss of friends killed, missing or imprisoned, Dawwa's work is both an act of revolt and memory, targeting "the international community's inaction against dictatorial regimes" in Syria and elsewhere.
"In the face of the disaster that is happening in Syria, I feel a responsibility because I have the tools to express myself," he says.
Among several of his massive installations -- including one in bronze -- being exhibited for the first time this year in France, "Here is my heart!" has been on display in Paris and soon transfers to a big national museum.
- Bearing witness -
Dawwa began the piece in 2018, as regime forces retook the rebel bastion of Eastern Ghouta, on Damascus' outskirts.
At nearly six meters (nearly 20 feet) long and more than two meters high, it is imposing.
Using polystyrene, earth, glue and wood, covered in clay, he details the destruction inside and out -- the shattered doors, blown-away balconies, right down to the overturned chairs.
In the debris, crunched-up bicycles and the wreckage of a bus can be seen -- but also the bodies of a child lying next to his ball and of an old woman.
"It's totally unique and innovative," says philosopher Guillaume de Vaulx, of the French Institute for the Near East (Ifpo) and co-author of "Destructiveness in Works. Essay on Contemporary Syrian Art".
"Artists have shown destroyed things and made it their art, but he shows the process of destruction from within," de Vaulx adds, speaking from Beirut.
"He stops before the form has totally disappeared but the viewer is inevitably led to imagine the moment when everything will crumble..."
Themes pitting people against authority dominate the works of Dawwa, who graduated from Damascus' School of Fine Arts.
From the onset, he took part in the nationwide anti-government protests that began in 2011, before joining other artists and activists to set up an independent cultural centre in Damascus, initiated by Syrian actor Fares Helou.
Despite police pressure, Dawwa continued to demonstrate and work at the center for three years. By 2013, he was practically the only one left there.
"My battle was to not abandon the project, otherwise it was as if we were giving up hope," he says.
It was during that period he came to understand the impact his sculptures could have.
Posting a photo of his work on Facebook, he was surprised to see it shared hundreds of times.
Although risky, he continued to create and post pictures, but then destroyed the sculptures "in order to leave no trace", he says.
Then, in May 2013, he was seriously wounded in his studio by shrapnel and, on leaving hospital, jailed, spending two months in various prisons.
"There were thousands of people. Every day, at least 10 would die," he says.
"Their bodies would stay for two days next to us, no one removed them from the cell... on purpose."
Of the horror of the experience which still gives him nightmares, he says: "They broke the memories in my head."
After his release, he was forced into the army but escaped beforehand, fleeing to Lebanon, then to France in 2014 where he was granted refugee status.
'Rebuilt our history'
His street-scene artwork, he says, is an attempt to convey "all that is no longer there; families, memories".
The Syria conflict, which broke out in 2011, has killed close to half a million people and spurred the largest conflict-induced displacement since World War II.
Veronique Pieyre de Mandiargues, a founding member of France's Portes Ouvertes Sur l'Art association, which supports artists in exile, said Dawwa "wanted to create a fixed image of what was happening in Syria so that it remains in our memories".
Lifting her hand to her heart, Syrian psychoanalyst Rana Alssayah, 54, also a France-based refugee, expresses her emotions on first seeing the piece.
"The magnitude of the destruction that Khaled has recreated, it's so real... I couldn't look at all the details inside the buildings, it was too hard."
Through this work, "he is saying the sorrow and pain that we can't talk about, he has rebuilt our history."
© 2022 AFP
President Joe Biden's administration on Tuesday formally withdrew the Covid vaccination-or-testing mandate for large businesses that was struck down by the Supreme Court.
The Occupational Safety and Health Administration (OSHA) said that although it was withdrawing the mandate it "strongly encourages vaccination of workers against the continuing dangers posed by Covid-19 in the workplace."
The conservative-dominated Supreme Court delivered a blow to Biden this month when it blocked his vaccination-or-testing mandate for businesses with 100 employees or more.
The nation's highest court did allow a vaccination mandate for health care workers at facilities receiving federal funding to go into force.
After months of public appeals to Americans to get vaccinated against Covid, which has killed more than 869,000 people in the United States, Biden announced in September that he was making vaccinations compulsory at large private companies.
Unvaccinated employees would have to present weekly negative tests and wear face masks while at work.
But the Supreme Court's six conservative justices blocked the mandate, saying it would represent a "significant encroachment into the lives -- and health -- of a vast number of employees."
"Although Congress has indisputably given OSHA the power to regulate occupational dangers, it has not given that agency the power to regulate public health more broadly," they said.
The three liberal justices dissented, saying the ruling "stymies the federal government's ability to counter the unparalleled threat that Covid–19 poses to our nation's workers."