Quantcast
Connect with us

Rogue One: The latest Star Wars film fuels resistance and protest

Published

on

This year, by most accounts, has been tumultuous. Notwithstanding the rise of far-right extremism, “Brexitrump” and the horrors of Aleppo, there have been strikes, anti-government protests and discord on the streets of many cities around the world.

The political legacies of the Arab Spring, Occupy and the 2011 UK riots are bearing fruit, and resistance to the perceived injustices of state power are intensifying. Indeed, subversive and activist groups, such as guerrilla skateboarders, an ever-growing number of anti-gentrification cells in London and the army of humanitarian volunteers in places like the Calais Jungle are proliferating. Is it any wonder then that rebellion, resistance and protest strike such a chord in contemporary popular culture?

ADVERTISEMENT

The latest offering in the Star Wars franchise, Rogue One, gives us such a narrative. It is the first of (what will no doubt be many) “spin-off” films from the Star Wars universe. It tells the story – alluded to in the first Star Wars film in 1977 – of how a group of resistance fighters stole the plans to the Death Star from under the noses of the Galactic Empire.

AN JOr.
© 2016 Lucasfilm Ltd.

Rogue One

Being once removed from the Star Wars saga, Rogue One had the freedom to dispense with the tired platitudes, cheesy star-wipe edits and homogeneous good versus evil, dark versus light tropes of the core films. With Godzilla and Monsters director Gareth Edwards at the helm, the film feels far grittier and somewhat more macabre. Edwards even had the licence to bring in, albeit briefly and somewhat unnecessarily, his trademark of a slimy, tenticular monster.

The story revolves around our hero Jyn Erso (ably played with a battle-hardened sobriety by Felicity Jones), who we see as a little girl in the prologue escaping capture from the Empire. As an older woman she is urged into joining the rebellion. She then leads a band of mercenaries on an against-all-odds heist mission to steal the plans to the Death Star and save the galaxy from the totalitarian Empire and their weapon of planetary destruction (leading some to label the film, somewhat unfairly, as “Ocean’s 11 in space”).

Edwards has skilfully produced a less cliched Star Wars film (and in the hilariously sarcastic droid K-2SO, produced the best non-human Star Wars character since Yoda), but kept the faithful happy with subtle references and the reintroduction of Darth Vader’s malevolence and fear-inducing power. One climatic scene in particular rolls back the years and rekindles some of the terror that gave Vader the accolade of the ultimate cinematic villain.

ADVERTISEMENT

What the film does not compromise on are the spectacular visuals. Battle scenes set against tropical beaches give a World War II feel to it, and the CGI reincarnation of Peter Cushing’s Moff Tarkin is breathtaking. How the film links back into the first is done extremely skilfully, building to a quite chilling finale.


© 2016 Lucasfilm Ltd.

The faces of resistance

So Edwards has kept within the confines of the Star Wars canon, but created a narrative that complicates the clear distinction between good and evil, right and wrong. We see this particularly with the infighting among different factions of the Rebellion. After Erso’s father is taken away, she is raised by Saw Gerrera, an “extremist” who even the Rebellion have disowned. The broad spectrum of political thought that characterises subversion from and protest against contemporary state power is reflected here. Pseudo-spirituality, comical cynicism, personal grievances and lifelong idealistic struggle are all represented in the band of fighters Erso corrals to the cause.

ADVERTISEMENT

The aesthetic alignment of the Empire (and its reincarnation of The First Order in The Force Awakens) with Nazism is proving to make the Star Wars films sadly far more prescient than they should be. The fact that Rogue One has been released now, at the end of 2016, and pits a political eclectic bunch of rebellious ideologues against a totalitarian and fascist regime, I’m sure is coincidental. But cinema, far more than any other medium, has the power to tap into, probe and catalyse tacit feelings within a society.

Rogue One stirs themes of resistance, empowerment and activism in the face of large-scale injustices, but also speaks to the political difficulties of enacting this. The amalgamation of diverse activist practice into a single political movement is fraught with difficulties: ideological differences between different groups, emotional and physical burnout, the lure of stardom and selling out, and many other pitfalls.

This is why, for me, cinema is an important resource in maintaining these practices. It can act as a shot-in-the-arm of hope and inspiration (much like Denis Villeneuve’s Arrival did, released as it was the week of Trump’s victory in the US election).

ADVERTISEMENT

Rogue One plays on this directly with the repeated refrain that “rebellions are built on hope”. This is an important truth, one that will no doubt proliferate as the events of 2016 unfold in the coming years. Rogue One has tapped into that masterfully; and to do so in the confines of a hyper-commercialised Disney profit-fest, is an impressive feat indeed.

The Conversation

Oli Mould, Lecturer in Human Geography, Royal Holloway

ADVERTISEMENT

This article was originally published on The Conversation. Read the original article.

Enjoy this piece?

… then let us make a small request. Like you, we here at Raw Story believe in the power of progressive journalism — and we’re investing in investigative reporting as other publications give it the ax. Raw Story readers power David Cay Johnston’s DCReport, which we've expanded to keep watch in Washington. We’ve exposed billionaire tax evasion and uncovered White House efforts to poison our water. We’ve revealed financial scams that prey on veterans, and legal efforts to harm workers exploited by abusive bosses. We’ve launched a weekly podcast, “We’ve Got Issues,” focused on issues, not tweets. And unlike other news outlets, we’ve decided to make our original content free. But we need your support to do what we do.

Raw Story is independent. You won’t find mainstream media bias here. We’re not part of a conglomerate, or a project of venture capital bros. From unflinching coverage of racism, to revealing efforts to erode our rights, Raw Story will continue to expose hypocrisy and harm. Unhinged from billionaires and corporate overlords, we fight to ensure no one is forgotten.

We need your support to keep producing quality journalism and deepen our investigative reporting. Every reader contribution, whatever the amount, makes a tremendous difference. Invest with us in the future. Make a one-time contribution to Raw Story Investigates, or click here to become a subscriber. Thank you. Click to donate by check.

Enjoy this piece?

… then let us make a small request. Like you, we here at Raw Story believe in the power of progressive journalism — and we’re investing in investigative reporting as other publications give it the ax. Raw Story readers power David Cay Johnston’s DCReport, which we've expanded to keep watch in Washington. We’ve exposed billionaire tax evasion and uncovered White House efforts to poison our water. We’ve revealed financial scams that prey on veterans, and efforts to harm workers exploited by abusive bosses. We’ve launched a weekly podcast, “We’ve Got Issues,” focused on issues, not tweets. Unlike other news sites, we’ve decided to make our original content free. But we need your support to do what we do.

Raw Story is independent. You won’t find mainstream media bias here. We’re not part of a conglomerate, or a project of venture capital bros. From unflinching coverage of racism, to revealing efforts to erode our rights, Raw Story will continue to expose hypocrisy and harm. Unhinged from corporate overlords, we fight to ensure no one is forgotten.

We need your support to keep producing quality journalism and deepen our investigative reporting. Every reader contribution, whatever the amount, makes a tremendous difference. Invest with us in the future. Make a one-time contribution to Raw Story Investigates, or click here to become a subscriber. Thank you.



Report typos and corrections to: [email protected]. Send news tips to: [email protected].
READ COMMENTS - JOIN THE DISCUSSION
Continue Reading

Facebook

‘Go look at President Trump’s Twitter’: Portland right-wing rally organizer claims ‘mission success’

Published

on

The organizer of a far-right rally in Portland, Oregon claimed the event was a "success" after President Donald Trump attacked Portlandiers protesting the group.

"A confluence of protesters on opposite ends of the ideological spectrum merged on Portland’s waterfront Saturday in a tense but relatively uneventful face-off that brought national attention, including a tweet in the hours before the protest by President Trump decrying the city’s signature anti-fascist movement," the Oregonian reported Saturday.

When a similar right-wing rally in Charlottesville, Virginia killed Heather Heyer, Trump argued there were "fine people" on both sides of the "Unite the Right" rally.

Continue Reading

Breaking Banner

Why was Jeffrey Epstein buying size 5 women’s panties — while in jail?

Published

on

The Miami Herald has another bombshell report on Jeffrey Epstein, who died in a Manhattan jail while waiting to stand trial on federal sex crimes charges.

"A decade ago, during a brief stint in Palm Beach County Jail, convicted sex offender Jeffrey Epstein made an odd purchase at the facility’s store: two pairs of small women’s panties, size 5," the Herald reported Saturday night.

The newspaper noted, "the panties raise questions about why a childless male inmate, accused of sexually abusing girls as young as 14, would be allowed to buy female undergarments so small that they wouldn’t fit an average-sized adult woman."

Continue Reading
 

Breaking Banner

White nationalist Republican ridiculed after only 2 people show up for his town hall meeting

Published

on

Embattled Rep. Steve King (R-IA) suffered further humiliation on Saturday when only two people showed up for his town hall meeting with Iowa constituents.

King, who was stripped of all committee assignments for his white nationalism, was been an embarrassment for Republicans with his constant racism and misogyny.

A photo of the town hall meeting was posted on Twitter by Reuters photo editor Corinne Perkins.

https://twitter.com/corinne_perkins/status/1162806565109473280

Rep. King was quickly mocked in the comments.

Here's some of what people were saying:

https://twitter.com/sedespres/status/1162811223186006018

Continue Reading
 
 

Thank you for whitelisting Raw Story!

As a special thank you, from now until August 31st, we're offering you a discounted rate of $5.99/month to subscribe and get ad-free access. We're honored to have you as a reader. Thank you. :) —Elias, Membership Coordinator
LEARN MORE
close-link
close-image